How do you describe your own art practice?
Photo-based devices, animated electronic sculptures, sound and video installations.
Sleepwalker, 2020
archival pigment prints metal structure 48 x 70 inches
Courtesy of Melanie Flood Projects, Portland
Which question or theme is central in your work?
Juxtapositions of bodies, eyes, hands, tools, interfaces, autonomous machines, trees, roots, rocks, stones, dirt, wilderness, mythological archetypes, symbols, ideograms, intelligent systems, automated gestures, transformative technologies, soul machines, caves…
Self Stranger, 2020
archival pigment prints metal structure 50 x 55 inches
Courtesy of Melanie Flood Projects, Portland
What was your first experience with art?
I remember visiting the archeological site of the oracle in Delphi. I remember the bronze statue of the adolescent Charioteer and his eyes that were very realistic. I was in elementary school and I got really scared. Later, my mom mother told me that I was conceived in the town of Delphi.
MagicDirt, 2022
archival pigment print 24 X 36 inches
Courtesy of Melanie Flood Projects, Portland
What is your greatest source of inspiration?
An urge to show how unexpected the world feels to me.
Motherboard I, 2022
archival pigment prints walnut frame structure 16 x 24 inches
Courtesy of Melanie Flood Projects, Portland
What do you need in order to create your work?
35mm film rolls for my camera and processing chemicals.
Memory Rock, 2021
archival pigment prints walnut frame structure 25 3/10 x 16 1/2 in
Courtesy of Melanie Flood Projects, Portland
What work or artist has most recently surprised you?
Guadalupe’s Maravilla sonic sculptures with their healing energy, from his recent installation at the MoMA, was an inspiring encounter.
Motherboard II, 2022
archival pigment prints walnut frame structure 24 x 16 inches
Courtesy of Melanie Flood Projects, Portland
