Exhibitions

Tenzin Phuntsog – Pure Land

In his work, Phuntsog, who has had his repeated attempts to enter his ancestral home denied, confronts his existence in a state of exile. For…

Tarek Atoui – Waters’ Witness

Artist and electroacoustic composer Tarek Atoui (Beirut, Lebanon, 1980) works with large-scale compositions based on his anthropological, ethnological, musicological and technical research. His exhibitions intersect…

Goran Trbuljak – 45 Years of Non-Painting

45 Years of Non-Painting is a show about painting, or perhaps it would be preferable to say painting seen through the artist’s countless attempts to…

Yalda Afsah – Every word was once an animal

The human relationship with animals, and the agency surrounding that interaction is critical to the cinematic work of the German-Iranian artist Yalda Afsah. Kunstverein München…

Sayre Gomez – Halloween City

Over the past few years, Sayre Gomez has developed a body of work that amounts to a cognitive mapping of late America as seen through…

Lilly Lulay and Susa Templin – Durchblick

We perceive the world selectively, that is well known. But what do we block out and why? Lilly Lulay and Susa Templin trace our visual…

Laying Bricks

Laying Bricks is a four-person exhibition presenting new moving image and photographic works by artists and filmmakers Rebecca Jane Arthur, Chloë Delanghe, Eva Giolo and…

Carrie Mae Weems – Down Here Below

Drawing from new works and select early series, the show consists of several large-scale installations that highlight Weems’ decades-long engagement with injustice, identity, and redemption.…

Alec Soth – A Pound of Pictures

This new body of work brings together images Soth completed between 2018 and 2021. As is often his custom, Soth began A Pound of Pictures…

LEAVE IT ALL BEHIND

The eight invited artists, coming from different cultural and geographical contexts, occupy the gallery spaces with paintings and installations, inviting the spectators to leave…

HOW DOES ONE THINK OF NOTHING? (SHOWTITLE #661 by Stefan Brüggemann)

Mine de rien

Marianne Berenhaut’s body of work, spanning over five decades and still expanding, eludes any attempt at a summary. It cannot ever be explained or fully…