She approaches movement and gesture as technologies for a possible subversion of normativity, gender and social roles and for dominant narratives governing public spaces. Her practice, spanning across songs, poetry, videos and performances, explores the persuasive power of collectivity, vulnerability and permeable relationships between bodies, audiences and the environments.
Her work was shown amongst others at the 59th International Art Exhibition of La Biennale di Venezia, Riga International Biennial of Contemporary art (RIBOCA); Renaissance Society, Chicago, Lofoten International Art festival; Block Universe festival, London; Art Dubai commissions; Liste, Art Basel; 19th Biennale of Sydney; De Appel Arts Centre; CAC in Vilnius, and Stedeljik Museum in Amsterdam. Egle was resident at Le Pavillon, Palais de Tokyo (Paris, FR, 2012) and at Wiels, Contemporary art centre, (Brussels, BE, 2013).
Still from ‘Songs from the compost: mutating bodies, imploding stars’, 2020, 4K video, 28 min
Image courtesy of the artist
Still from ‘Songs from the compost: mutating bodies, imploding stars’, 2020, 4K video, 28 min
Image courtesy of the artist
Still from ‘Songs from the compost: mutating bodies, imploding stars’, 2020, 4K video, 28 min
Image courtesy of the artist
Still from ‘Songs from the compost: mutating bodies, imploding stars’, 2020, 4K video, 28 min
Image courtesy of the artist
Site specific performance and a video, 09:55’
video still.
Site specific performance and a video, 09:55’
video still.
Biennial of Sydney, 2014, photo by Sebastian Kriete
Maxxi museum commission, Roma, 2017, photo by Sebastiano Luciano
Art Basel, Liste, performance commission.
Documentation, photo by Joke Floreal.
