“We see perfectly reproduced sheets; sets of exotic stamps in soft hues, protected by a transparent strip of varnish, and framed by an intrusive black background. Go on looking and this painterly appropriation becomes the magnifying glass and the mirror which unmask the colonial rhetoric.” excerpt of an accompanying text by Petra Van Brabandt
“When we look at colonial collections some 60 years after decolonization, we are struck first and foremost by what is missing in those collections: the real world of colonial subjects and their relationships with Belgians (and other Westerners) and the structural inequalities between the two categories which made the passion for collecting possible.
In some of his best stories Jorge Luis Borges showed the absurdity of attempts to create an imaginary world which corresponds fully to the reality or even to another imaginary world, such as Miguel de Cervantes’ Don Quixote. Flup and Tuur Marinus’ artwork does something similar: the patience and diligence with which they toiled to create it reminds us how absurd it was to try and collect the complete colonial world through collections and by extension how absurd it was to try and control and dominate politically an area as large as Western Europe through colonial rule.” excerpt of an accompanying text by Bambi Ceuppens
Belgisch Congo Belge by Tuur & Flup Marinus
APE#075 – 23,3 x 29,3 cm, 16 p, ills. colour, dutch / english / french
ISBN 9789490800536 – € 25,00
published in 2016
design: Studio Jurgen Maelfeyt
Find more details on the publishers website.